Tapping to a slow tempo in the presence of simple and complex musical meters reveals experience-specific biases for processing music
نویسندگان
چکیده
Musical meters vary considerably across cultures, yet relatively little is known about how culture-specific experience influences metrical processing. In Experiment 1, we compared American and Indian listeners’ synchronous tapping to slow sequences. Inter-tone intervals contained silence or to-be-ignored rhythms that were designed to induce a simple meter (familiar to Americans and Indians) or a complex meter (familiar only to Indians). A subset of trials contained an abrupt switch from one rhythm to another to assess the disruptive effects of contradicting the initially implied meter. In the unfilled condition, both groups tapped earlier than the target and showed large tap-tone asynchronies (measured in relative phase). When inter-tone intervals were filled with simple-meter rhythms, American listeners tapped later than targets, but their asynchronies were smaller and declined more rapidly. Likewise, asynchronies rose sharply following a switch away from simple-meter but not from complex-meter rhythm. By contrast, Indian listeners performed similarly across all rhythm types, with asynchronies rapidly declining over the course of complexand simple-meter trials. For these listeners, a switch from either simple or complex meter increased asynchronies. Experiment 2 tested American listeners but doubled the duration of the synchronization phase prior to (and after) the switch. Here, compared with simple meters, complex-meter rhythms elicited larger asynchronies that declined at a slower rate, however, asynchronies increased after the switch for all conditions. Our results provide evidence that ease of meter processing depends to a great extent on the amount of experience with specific meters. Citation: Ullal-Gupta S, Hannon EE, Snyder JS (2014) Tapping to a Slow Tempo in the Presence of Simple and Complex Meters Reveals Experience-Specific Biases for Processing Music. PLoS ONE 9(7): e102962. doi:10.1371/journal.pone.0102962 Editor: Trevor Bruce Penney, National University of Singapore, Singapore Received July 31, 2011; Accepted June 26, 2014; Published July 30, 2014 Copyright: 2014 Ullal-Gupta et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Funding: The research was supported in part by a travel grant from the International Programs Office, University of Nevada, Las Vegas awarded to S.U. and summer research stipends from the College of Liberal Arts at the University of Nevada Las Vegas awarded to E.E.H. and J.S.S. The funders had no role in study design, data collection and analysis, decision to publish, or preparation of the manuscript. Competing Interests: The authors have declared that no competing interests exist. * Email: [email protected]
منابع مشابه
Tapping to a Slow Tempo in the Presence of Simple and Complex Meters Reveals Experience-Specific Biases for Processing Music
Musical meters vary considerably across cultures, yet relatively little is known about how culture-specific experience influences metrical processing. In Experiment 1, we compared American and Indian listeners' synchronous tapping to slow sequences. Inter-tone intervals contained silence or to-be-ignored rhythms that were designed to induce a simple meter (familiar to Americans and Indians) or ...
متن کاملRelationship between Intelligence Quotient and Musical Ability in Children with Cochlear Implantation
Introduction: Children with cochlear implants (CIs) may experience few opportunities for positive musical experiences, and musical perception is therefore often not sufficiently developed. This paper investigates and discusses the relationship between intelligence quotient (IQ) and musical ability in children with CIs compared with children with normal hearing. ...
متن کاملThe Relationship Between Auditory Imagery and Musical Synchronization Abilities in Musicians
Musical ensemble performance requires precise action coordination. To maintain synchrony in the presence of expressive tempo variations, musicians presumably anticipate the sounds that will be produced by their co-performers and coordinate their own anticipated actions with these predictions. Anticipatory auditory images in pitch and time may facilitate such predictions. Two experiments were co...
متن کاملUsing Source Separation to Improve Tempo Detection
We describe a novel tempo estimation method based on decomposing musical audio into sources using principal latent component analysis (PLCA). The approach is motivated by the observation that in rhythmically complex music, some layers may be more rhythmically regular than the overall mix, thus facilitating tempo detection. Each excerpt was analyzed using PLCA and the resulting components were e...
متن کاملMetrical categories in infancy and adulthood.
Intrinsic perceptual biases for simple duration ratios are thought to constrain the organization of rhythmic patterns in music. We tested that hypothesis by exposing listeners to folk melodies differing in metrical structure (simple or complex duration ratios), then testing them on alterations that preserved or violated the original metrical structure. Simple meters predominate in North America...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
عنوان ژورنال:
دوره شماره
صفحات -
تاریخ انتشار 2016